With R. Kelly being dropped by his record label, RCA (Sony Music) after the “Surrounding R. Kelly” documentary, Virgil Abloh’s Louis Vuitton Men’s Fall-Winter 2019 Fashion Show in Paris was a welcome break from all the controversy surrounding black men.
According to Virgil Abloh, “Michael Jackson was the most important person in innovating men’s wear ever,” therefore, the Louis Vuitton show was presented on a set replicating the Alphabet City backdrop of Michael Jackson’s “Billie Jean” video and MJ was again the inspiration for the collection.
The live performance from Dev Hynes aka Blood Orange was amazing and the clothes were a fitting tribute to menswear, even though I have never understood the wearing of sneakers (trainers) and suits, maybe it’s an age thing? Abloh is acutely aware that his young followers can’t afford the clothes he designs for Vuitton, he wants them to aspire to own them. My 13 year old son preferred the Off White show, what do you think?
Challenging The Status Quo With Lasse Have
Tell me a little about your education
I am an autodidact and have 30 years of visual drawing experience beginning with T-shirt designs, posters and flyers in High School and that has evolved into what it is today, which spans from basic illustration, over animation, to complex presentation. At the beginning when faced with the question – “Do you know how to do this?” – My answer was always “Yes”, - even though sometimes I had not tried it before. But I quickly learned the necessary skills and I always delivered a solid and trustworthy product. So, learning by doing, was the basis of my commercial success.
What excites you right now?
Vector graphics has been hot for years now, fortunately for me, I was presented to Vector tools very early, and working with vector graphics is still my favourite. My role is to notice new trends and utilize my experience to identify who is capable of buying these solutions, and able to benefit from them. As the majority of my clients are conservative companies, I am very aware that I have to ensure that my solutions fit into my clients existing framework and style.
What are you looking forward to in 2018?
This is a difficult one! (Pause)
Personally, it’s a rebuilding project in my home – the renovation of our loft room.
What’s the best thing that happened to you in 2017?
In our world we are always looking at the next thing, but sometimes it’s nice to reflect on what has happened. Moving into Republikken in January 2017 gave me a new creative push as I was in downtown Vesterbro on a daily basis. Meeting lots of new people from a variety of ethnic backgrounds with drive and ambition, provided me with a new energy that comes with shared office spaces.
Tell me a little about you and your childhood?
I was born and bred in Nyborg in Fyn. My siblings and I were brought up with conservative parents and raised to be self-sufficient and to follow our dreams, which was kind of natural as both of my parents were self-employed themselves. As a young man, I was in a hurry to get out and explore new things. Right after High School I chose to go into the Navy as part of my National Service, where I worked in the Operations Room and was in charge of the ship computers and radars.
When my National Service ended, I went to Paris and lived there for a memorable year before moving to Bordeaux. I lived there for 5 years where I had a lot of crazy experiences and a variety of jobs, and I quickly learnt the language and embraced the French culture. After a few years in France I was able to live full time from my drawings and freelance jobs.
Who was your favourite superhero?
My very own Mr. Pigsel who is the virtual front figure for the company. He has a split personality as he is also Professor Pigsel, Inspector Pigsel, Doctor Pigsel as well as the superhero Captain Pigsel.
The whole world is talking about CSR, do you support any charitable causes?
One of my biggest wishes is that we find an alternative to plastic. I recently heard that Lego have announced that its first brick pieces made from plant-based plastic sourced from sugar cane will go on sale later this year. Production has started on the sustainable pieces, which include “botanical elements” like leaves, bushes, and trees. Let’s hope that this is the future for plastic!
What’s the most important thing I should know about you?
I don’t know :).
I enjoy being self-employed and having control of my own destiny, knowing that I have to pay the same insurance as my neighbours’, but being free of the restrictions of employment makes me feel very privileged!
I hate to think of myself as a consumer, even though I know that I am one. I try to avoid shopping centers at all cost. The thought of being a human battery, where “they” drain us of energy and in this case, energy is our attention and money. I guess the worst thing you could say to me is that I am normal.
What would your professional like look like if it was easy?
It is easy, I am living my own dream – yes, I know that sometimes it can be tough, but I guess we all need obstacles to challenge us and to push us into new areas of growth.
I draw, I’m doing what children love to do and sometimes I have to pinch myself to make sure that this is not a dream and I am really living.
Many thanks Lasse. You have been blessed with a natural talent and you have had the courage to make your living from your talent, RESPECT.
If you would you like help with your animations, illustrations or your presentations, please contact Lasse via Pigsel ApS.
Your Journey to Sustainability
Dr Martin Luther King Jr. once said: “The time is always right to do what is right”. This week I had a wonderful Q&A with the sustainable jewellery designer, Anna Moltke-Huitfeldt. When Anna asked me a few years ago about what I knew about sustainable gold, I had never heard of the phenomenon and had no idea that sustainable gold existed. What do you know about Fairtrade standards or Fairmined mining certification?
What made you start working in the jewellery business?
When I got divorced then it was all about doing the right thing for my children and in my opinion, it was to put their needs before mine. Now that they are grown up now I have the space to do things for me and focus 100% on my business. I will always be there for my children to ensure that their life is as balanced as possible, after my divorce I sat down and worked out my goals – and one of my goals was to build wide boulevards for my children to walk on and meet like-minded people. I was painting and attended a sculpture class at Holbæk Art High School in 2001, as for many years I wanted to work with my hands. I made a sculpture in wireframes, and I put all sorts of small things inside of it, that I welded together - I made friends with some women who were in a painting class – and when they saw my sculpture, they asked whether I had considered making jewellery? This sparked an interest, and as I had always loved jewellery I attended a workshop in Copenhagen and as soon as I started, I knew this is what I was going to do.
Why did you start your own brand?
I started my own company in 2004, working with both gold and silver as I was looking for transparency. In the beginning, there were so many things that I didn’t know so I was looking for transparency in gemstones and my designs were inspired by the spiral and the eternal movement upwards. The air that makes the form and how if there was no air it would all be a ball and things like that and it was during this process that I found out about sustainability and fair things.
When did you start investigating about fair gold?
It all began in 2008 at an art fair in Berlin, where I had a personal interaction which led me to exhibit at the Basel trade fair. I discovered a magazine with an article about Oxfam America’s No Dirty Gold (NDG) campaign, which sought to raise the human rights and environmental standards of the global mining industry. This led me to the Oro Verde gold mine a community in Colombia. I approached some Danish goldsmiths who were already working with Oro Verde, to see whether we could start buying gold together, they were not interested! So I contacted, Cred Jewellery, who were one of the first to start working with fair gold, and in 2010 I bought one time directly from Colombia.
How can the consumer know that the gold is fair?
In the past, the “big” mining companies came in with huge excavating tools to dig up and move the soil and when they were finished they just took their tools and left. Leaving and spoilt the landscapes, this stopped the local food farmers from agricultural farming for years. Oro Verde miners return the soil after excavation, which allows the land to replenish and is ready for agricultural farming after 3 years. Oro Verde (Green Gold) was a Colombian initiative working with Afro-Colombian artisanal gold miners in the Chocó bioregion, an area marked by high rates of poverty, social exclusion and a very sensitive ecosystem. Oro Verde has involved about 1,300 miners in the certification system and the premium they earn helps pay for local community development projects and diversification into other livelihood activities.
If you are a licensee from Fair Trade International, you are allowed to stamp your jewellery. You need to have a contract and that is expensive for small companies, as there is both the premium and license contract and this has to be factored into the price of the finished products. Nowadays, the Alliance for Responsible Mining bi-annual fee is US$60 p/annum and for each kilo of gold there is US$4.000 premium added for the miners, so now chemical free mined (ecological) gold is available at an additional US$2.000 per kilo premium.
What is alluvial gold mining?
Alluvial gold mining is the process of extracting gold from these creaks, rivers and streams and is generally considered to be the most environmentally friendly method of gold mining as a result of the reduced environmental impact when compared to underground mining. Using a leaf from a local bush that they crushed and mixed it with water instead of using chemicals to extract the gold.
Where are you nowadays in regards to sustainability?
I have stopped working with Fairtrade gold as my contract expired in 2017 and I chose to work with Fairminded as I wanted to be closer to the people who are close to the miners. I was advised not to quit by Fairtrade, but I did as Fairmined is a smaller organization, as it is important for me to have a personal connection to those who know how the miners are doing, and when I send my regards to the team, the message goes to the whole team.
How about your business, what are your sales & marketing strategy?
In the beginning, I attend a lot of lifestyle and art fairs and it was before the financial crisis of 2008, so it was easier with everything going up and being sold. After the crisis, everything went down and I focused on developing myself and my brand simultaneously during those difficult times. I’m not so good at marketing as it’s too personal for me – going out to shops is not my strength, as if they do not like my jewellery, I take it personally and get annoyed.
I sell through 2 shops in Copenhagen and a Dutch Fairtrade/Fairmined platform, plus you can find me on UK Jewel Street and ENIITO.com, an online platform for Scandinavian designers. And of course, you can contact me via my own website. Men usually come to buy engagement & wedding rings, I have young clients from early teens all the way through to late 70’s, and I have made products from Christening gifts to Golden Wedding Anniversary pieces. I also make collections where people can choose from, but it’s more important for me to do the right thing than it is to make lots of money.
I can see that your drive is not economic and you will compromise on your values, so where do you see your brand 5 years from now?
I look much further into the future and I expect one of my grandchildren (who are yet to be conceived) to take over my business, as I plan to continue working as long as I can. I anticipate that by the time my future grandchildren are at that stage of life where they can take over the business, they will have a really strong sustainable brand to build upon. I want to remain a small jeweller, I don’t want it to become a big brand, of course, I want to make more money and employ more people, but I like the fact that my business is personal. So when I make things for people, I have the time to speak to them and get to know them, and this helps me to open up a designed universe to the client and help them to create something individual together with all the possibilities that are available and in the best quality.
"Those who know, do; those who understand, teach." - Aristotle
It’s Not What You Say, It’s How You Say It!
Apple doesn’t sell computers, they sell identity.
There is never a mention of screen resolution, how much memory, how many GB because it doesn’t matter. It’s all about what’s in the box, and you just have to have one! The product has to be good, but Apple doesn’t make the best computers and they do not make the best telephones by any stretch of the imagination, but they sell because people associate an aspirational identity with their products and this desire drives sales through the roof. And this shows that people buy into something that is deeply felt, and that is identity!
iPad Air advertisement featuring a clip of Robin Williams’ voice from “Dead Poet’s Society”
A Blast From The Past - "Fashion Talks 2013"
THE BRIEF
The Fashion Talks is a one-day conference about the fashion industry where we want to touch on the difficulties but also the opportunities in the fashion industry nowadays. Different topics will be brought on stage by a wide variety of national and international speakers.
The main idea of the speeches is that these are 'inspirational pitches' about each speakers' speciality. We want to inspire the audience to be more entrepreneurial, more creative and innovative in the way they do business.
In a way, it is about sharing your vision on how the industry will evolve in the future with a focus on your speciality domain. Every speech preferably has a practical approach (to make it more lively) stated with examples, images and numbers (wherever possible).
We would like you to touch on how to work with and motivate a fashion team; how the creative department, the sales team, the production team etc… can work together and stay motivated.
PRESS RELEASE (English text)
According to you, can a young independent fashion label keep up with the competition of larger, more established fashion companies and international fashion chains? And what would be the 'key to success'?
In general, it will always be difficult for a young independent fashion label to keep up with the competition of fashion chains and more established fashion companies for an obvious reason - Economy. The economy of small companies means that they struggle to have the resources to pay for the basic things to keep the company afloat, therefore, choices have to make - Catwalk show or trade fair? Silk or crepe de chine? With no marketing budget, it's hard to compete when speaking about paid media.
The key to success for young independent fashion labels is online via social media. As plagiarism is rife in the fashion industry, social media has established a more level playing field, which has given the young independents an opportunity to make a name for themselves before the more established companies have the opportunity to react.
Which fashion week's gain importance worldwide? E.g. in Asia, and the Middle East – these regions are upcoming in fashion…?
The big four (London, Milan, Paris and New York) will always be at the forefront when speaking about the importance of fashion weeks. Why? Traditionally, this is where the big designers show their couture collections and where the media focus the majority of their attention. Tokyo is the gateway into Asia, but I have never seen the media coverage in the West to make me think that Tokyo should be added to the "big 4".
With regards to the Middle East, they are consumers rather than trendsetters in my opinion. Perhaps, this will change in the future, but for now, it's all about their buying power.